Tom Secker is a British-based writer who covers the security services, Hollywood and the history of terrorism. He runs the SpyCulture blog which can be supported via Patreon.com. His work has been covered by The Mirror, The Express, Salon, TechDirt and elsewhere.
近200页的缉毒局（DEA）合同显示该机构如何控制电视和电影制作。
Nearly 200 pages of Drug Enforcement Administration contracts with producers were obtained through the Freedom of Information Act. They show for the first time how the agency interacts with television and film productions. The Drug Enforcement Administration (DEA) is quite active in the entertainment industry. It exercises stringent control over
美国陆军为国家地理的电视剧“长路之家”提供了如此广泛的支持，即如果没有五角大楼的批准，该系列剧可能无法进行。
The National Geographic drama series, “The Long Road Home,” tells a version of the story of the battle for Sadr City in 2004, a key moment in Iraq War, and newly-released emails and other documents from the United States Army detail the extensive military support for the TV series and how the Pentagon repeatedly bent its own rules on providing
毫无疑问，国防部（又名五角大楼）鼓励大众文化的军事化，并积极寻求在好莱坞进一步发挥作用。
As the co-authors of National Security Cinema, we have become known — rather inaccurately — for encouraging two major ideas: 1. That the government is really important in making movies more militaristic. 2. That Hollywood doesn’t produce dissenting films. While the first of these is somewhat true it is a simplification, the second is a
