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Hamid Yazdan Panah

The New Orientalism: Iran As A Political Commodity

“Orientalism can be discussed and analyzed as the corporate institution for dealing with the Orient.”

10 8 月, 2016
Hamid Yazdan Panah
10 8 月, 2016
作者 Hamid Yazdan Panah
“Entrance of a Caravanserai in Isfahan” (1840), by French Orientalist painter Eugène Flandin. Public domain via Wikimedia Commons.

Iran is a hot commodity. Whether it is being sold as a misunderstood land of mystery, or eyed as a potential business or investment opportunity, it is difficult to find a narrative which does not reduce the country to a means to a particular end. Historically, this included the vilification of Iran as an anti-western wasteland, divorced from

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